VSW31 Fine Art Studio Practice To complete my degree I am required to produce a coherent body of work suitable for presentation as a public exhibition. We can do whatever we like, but we have been warned that third year standards are much higher than those in second year. Our tutors seem to have been told to stop praising and encouraging, to raise the bar, and to focus on extending and challenging everyone. We should not plan to work in a particular medium. We are expected to work with concepts, and choose materials depending on the demands of our concept. So that we would explore widely rather than simply choose a topic, we chose three words to see where they are taking us. I picked terra-firma, migration and memory and started writing about investigating “the processes by which we commit our memories to the land, and how it receives and releases memories of the people who belong to it or come to live on it.” During the first unit (one quarter of the project) I experimented with three related concepts, using mixed media: Mapping the landscape. Palimpsests, with erasure and layering of partial images. The Body in the landscape. Neither of us are excited about the Mapping, but my tutor likes the Palimpsest experiments while I prefer the Body in the landscape. I have decided to interpret his insistence on the Palimpsest as an invitation to consider and politely decline his first challenge.
I will resume work in March when I will be asked to add another word. It will be impermanence. My earlier work was about change and the cycles of existence (this fits with my meditation practice). I have looked at decay and regeneration in terms of organic material and in terms of the rock cycle of coastal sandstones. I feel a need to cycle back towards these ideas and to make it clear in my formal proposal that I intend terra-firma ironically. I’ve observed that students who are ahead of me haven’t had an easy time. I don’t know where this adventure will take me, but I am not expected to start painting seriously for another twelve weeks and meanwhile there is still a lot of experimenting to do.
6 Comments
Andi
8/1/2017 09:19:44 am
These are all intriguing but I too especially love the Palimpsests.
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Gillian Perrett
8/1/2017 10:00:13 am
Thanks Andi, that's useful feedback.
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8/1/2017 12:03:24 pm
Well done Gillian, can't wait to see where the next study period takes you. Of course I will be watching with extra special interest as your concept fits so closely with mine!
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Gillian
11/10/2017 02:31:18 pm
Anne, I didn't see this ...... how slack of me ..... yes, as I puff towards the finishing post I can feel your eyes on me, ... and hear you cheering me on.
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Ray Wiedmeyer
9/1/2017 10:45:25 am
The body in the landscapes immediately brought up petroglyphs in my mind....and given the goal you have set concerning the land and memories this seems like a compelling start. Interesting that the gold lines seem at best to be an abstraction of a petroglyph...almost childlike in that way.
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Gillian
18/1/2017 02:48:53 pm
I didn't make clear that the Palimpsest ones are very small (15cm short sides) while the Body in the Landscape ones are on A2 cartridge paper. I'm thinking that I may perhaps end up with works in oil of intermediate dimensions.
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